The Atlanta University Center (AUC) is home to Spelman, Morehouse, Morris Brown & Clark Atlanta University. The month of October for students and alumni of these institutions is always jam-packed with events, with Spelhouse & CAU having their homecoming weeks back-to-back. Even though the schools are right across the gate from each other, the vibes are still there all month long and many end up attending both homecomings. This year, Spelhouse’s homecoming was before Clark’s, and as a CAU alum, it almost felt like the warm-up to my school’s festivities. Nevertheless, I still made memories at both events and had a blast for two weeks straight. 

Drip or Drown 

Drip or Drown 

There’s no debate that HBCUs really put it on when it comes to tailgate outfits. Spelman women rocked their school colors, and a few even wore Legacy History Pride’s latest rugby dress to pay homage to the school (founded by Howard alum Tahir Murray). At CAU, many wore fits that expressed their personality and weren’t afraid to wear designer clothes from head to toe. I loved seeing the fashion design majors at Clark create their own outfits and own it unapologetically. You can definitely tell which one is the fashion school out of the three, but all schools still showed up and showed out. 

There’s no debate that HBCUs really put it on when it comes to tailgate outfits. Spelman women rocked their school colors, and a few even wore Legacy History Pride’s latest rugby dress to pay homage to the school (founded by Howard alum Tahir Murray). At CAU, many wore fits that expressed their personality and weren’t afraid to wear designer clothes from head to toe. I loved seeing the fashion design majors at Clark create their own outfits and own it unapologetically. You can definitely tell which one is the fashion school out of the three, but all schools still showed up and showed out. 

The Link Ups

The Link Ups

You couldn’t help but notice the mini reunions happening for everyone throughout the tailgate. Whether it be old classmates, roommates, or that one crush you never forgot about, the energy was nostalgic and familiar. It was nice to also see D9 members not just secluded to their tent; many bounced around and showed love to friends and peers outside of their orgs. On the topic of Greek life, both young and seasoned members were out and about enjoying the vibe. The brothers of Omega Psi Phi Fraternity Inc. took over the Morehouse tennis courts and seemingly had their own tailgate. From a Redbull activation with free drinks, to endless chicken on the grill, to literally hopping on U-Hauls; they made their own fun, and it felt like a party within a party. At CAU, it’s safe to say that the Alphas had the most exciting tent, with many of them having personalized paraphernalia specific to their lines. 

You couldn’t help but notice the mini reunions happening for everyone throughout the tailgate. Whether it be old classmates, roommates, or that one crush you never forgot about, the energy was nostalgic and familiar. It was nice to also see D9 members not just secluded to their tent; many bounced around and showed love to friends and peers outside of their orgs. On the topic of Greek life, both young and seasoned members were out and about enjoying the vibe. The brothers of Omega Psi Phi Fraternity Inc. took over the Morehouse tennis courts and seemingly had their own tailgate. From a Redbull activation with free drinks, to endless chicken on the grill, to literally hopping on U-Hauls; they made their own fun, and it felt like a party within a party. At CAU, it’s safe to say that the Alphas had the most exciting tent, with many of them having personalized paraphernalia specific to their lines. 

It’s a Vibe 

It’s a Vibe 

Despite both schools charging for entrance to tailgate, both homecomings brought a huge crowd, and even the locals in the Atlanta area joined in on the fun. CAU’s red field was an eye-catcher and some may even say it’s a staple on campus now. Outside of the tailgate, the promenade was active with vendors and food trucks for those that wanted a break from the action. At Spelhouse, Tailgate Hill was flooded with young and older alumni bonding off of similar organizations, like the ladies of the Mahogony-N-Motion dance team. As the day carried on and tailgate came to a close, many didn’t want the fun to end and decided to post up in front of the school signs. No matter the homecoming you went to, the vibe was simply unmatched. Is it messy to say that the AUC may even be the real GHOE?

Despite both schools charging for entrance to tailgate, both homecomings brought a huge crowd, and even the locals in the Atlanta area joined in on the fun. CAU’s red field was an eye-catcher and some may even say it’s a staple on campus now. Outside of the tailgate, the promenade was active with vendors and food trucks for those that wanted a break from the action. At Spelhouse, Tailgate Hill was flooded with young and older alumni bonding off of similar organizations, like the ladies of the Mahogony-N-Motion dance team. As the day carried on and tailgate came to a close, many didn’t want the fun to end and decided to post up in front of the school signs. No matter the homecoming you went to, the vibe was simply unmatched. Is it messy to say that the AUC may even be the real GHOE?

This year’s homecoming festivities were a great time and to say I need a week-long nap would be an understatement. It’s always so good to see friends and old professors come together to celebrate their HBCU background and culture. While I always have a great time in Atlanta, I definitely want to experience other HBCU homecomings. Who knows; maybe I’ll end up at FAMU or Howard next year!

This year’s homecoming festivities were a great time and to say I need a week-long nap would be an understatement. It’s always so good to see friends and old professors come together to celebrate their HBCU background and culture. While I always have a great time in Atlanta, I definitely want to experience other HBCU homecomings. Who knows; maybe I’ll end up at FAMU or Howard next year!

This year, Clark Atlanta University did something a little different to their Homecoming and tailgate experience. Not only was the concert free for students this year, but the school also extended their tailgate on campus, making the space more enjoyable and bringing in exciting brand activations.

While everyone shows love and pride to their alma mater, I decided to catch up with current students and alumni to see if they know their facts and ask what has changed since attending CAU.

Consolidated
Fun fact: Clark Atlanta University wasn’t always one school. It used to be two separate institutions: Clark College and Atlanta University. Atlanta University, established in 1865, was the first institution to award graduate degrees to African Americans. Clark College was the nation’s first four-year liberal arts college to serve mostly African American students.

While both schools were established in the 1800s, it wasn’t until July 1, 1988, when the schools came together to form Clark Atlanta University. This year, CAU celebrated 35 years of being consolidated and serves over 4,000 with undergraduate, graduate, and doctorate programs.

Who Ran the Yard?
As a 2024 graduate, there was always a growing debate on which Greek organization ran the yard. In my opinion, it was always the Alphas and Deltas that did their big ones. From the parties, on-campus events, and community service initiatives, those two orgs set the standard at CAU.

While of course some opinions were biased, it was interesting to hear how it changed as time progressed.

Go-To Hang Out Spots
Being on campus during the end of COVID really forced you to make your own fun. We would always hang out in each other’s rooms and throw our own kickbacks. We would occasionally hit 809 Hollywood Rd or the small lounge across from JR Crickets, but we mainly made our own fun.

The older alumni had cool insight on how the hang-out spots have changed, even the city of Atlanta in general.

What Would You Change?
We all know that there is always room for improvement at our HBCUs. From housing, to more funding, to bigger classrooms, there is always something that can be implemented to enhance the education and experience for the students.

To no surprise, many people said that there’s a need for better housing. This year, CAU assigned more co-ed dorms on campus to make room for the growing female population on campus. Hopefully, with the continuous donations and funding, the school will be able to renovate the abandoned buildings on campus and make room for something better.

While the crowd had both old and new faces, the energy was unmatched and you can clearly tell that everyone had a great time. Homecoming in Atlanta hits differently, especially in the AUC. If you are a fan of Homecoming tours, you should definitely add a stop to the AUC on your list for next year.

For HBCU alum, going to Homecoming is a yearly event that both students and alumni look forward to. From the good food, fly fits, and catching up with old classmates; the atmosphere is both nostalgic and sentimental.

This year, Clark Atlanta University did something a little different to their Homecoming and tailgate experience. Not only was the concert free for students this year, but the school also extended their tailgate on campus, making the space more enjoyable and bringing in exciting brand activations.

While everyone shows love and pride to their alma mater, I decided to catch up with current students and alumni to see if they know their facts and ask what has changed since attending CAU.

Consolidated
Fun fact: Clark Atlanta University wasn’t always one school. It used to be two separate institutions: Clark College and Atlanta University. Atlanta University, established in 1865, was the first institution to award graduate degrees to African Americans. Clark College was the nation’s first four-year liberal arts college to serve mostly African American students.

While both schools were established in the 1800s, it wasn’t until July 1, 1988, when the schools came together to form Clark Atlanta University. This year, CAU celebrated 35 years of being consolidated and serves over 4,000 with undergraduate, graduate, and doctorate programs.

Who Ran the Yard?
As a 2024 graduate, there was always a growing debate on which Greek organization ran the yard. In my opinion, it was always the Alphas and Deltas that did their big ones. From the parties, on-campus events, and community service initiatives, those two orgs set the standard at CAU.

While of course some opinions were biased, it was interesting to hear how it changed as time progressed.

Go-To Hang Out Spots
Being on campus during the end of COVID really forced you to make your own fun. We would always hang out in each other’s rooms and throw our own kickbacks. We would occasionally hit 809 Hollywood Rd or the small lounge across from JR Crickets, but we mainly made our own fun.

The older alumni had cool insight on how the hang-out spots have changed, even the city of Atlanta in general.

What Would You Change?
We all know that there is always room for improvement at our HBCUs. From housing, to more funding, to bigger classrooms, there is always something that can be implemented to enhance the education and experience for the students.

To no surprise, many people said that there’s a need for better housing. This year, CAU assigned more co-ed dorms on campus to make room for the growing female population on campus. Hopefully, with the continuous donations and funding, the school will be able to renovate the abandoned buildings on campus and make room for something better.

While the crowd had both old and new faces, the energy was unmatched and you can clearly tell that everyone had a great time. Homecoming in Atlanta hits differently, especially in the AUC. If you are a fan of Homecoming tours, you should definitely add a stop to the AUC on your list for next year.

When Candiace Dillard Bassett looks back on her time at Howard University, she doesn’t mince words: it shaped everything.

“Howard taught me how to move confidently in every space,” she told OffTheYard. “It was the first place I really felt the power of being surrounded by excellence that looked like me.”

“Howard taught me how to move confidently in every space,” she told OffTheYard. “It was the first place I really felt the power of being surrounded by excellence that looked like me.”

As a broadcast journalism major with a minor in African American studies, the Bravolebrity/songstress soaked up the culture of the Mecca — the traditions, the professors, the peers who later became collaborators. One of those classmates, playwright Dennis Williams, is now the creative force behind I’ve Cried the Blues, the stage production that marks Bassett’s theatrical debut.

As a broadcast journalism major with a minor in African American studies, the Bravolebrity/songstress soaked up the culture of the Mecca — the traditions, the professors, the peers who later became collaborators. One of those classmates, playwright Dennis Williams, is now the creative force behind I’ve Cried the Blues, the stage production that marks Bassett’s theatrical debut.

Set in the Jim Crow South, the play tells a story of resilience, faith, and survival through music. Bassett stars as Miss Lilly, an ambitious nightclub singer determined to become the first female headliner at the King Biscuit Times. “This is a full-circle Howard moment for me,” she said. “To bring a story like this to life with someone I went to school with — and to do it at this point in my life — feels like a blessing.”

Set in the Jim Crow South, the play tells a story of resilience, faith, and survival through music. Bassett stars as Miss Lilly, an ambitious nightclub singer determined to become the first female headliner at the King Biscuit Times. “This is a full-circle Howard moment for me,” she said. “To bring a story like this to life with someone I went to school with — and to do it at this point in my life — feels like a blessing.”

For Bassett, Howard was a training ground. “Howard instills in you a sense of responsibility — that you’re not just working for yourself, you’re representing a legacy,” she explained. “It’s why I push myself in every lane I step into.”

For Bassett, Howard was a training ground. “Howard instills in you a sense of responsibility — that you’re not just working for yourself, you’re representing a legacy,” she explained. “It’s why I push myself in every lane I step into.”

And those lanes are plenty. The former Miss United States and Obama White House staffer has carved out a multifaceted career: starring on The Real Housewives of Potomac, releasing two Billboard-charting R&B projects, landing roles on BET and Netflix, and building her brand as an entrepreneur. In just the past year, she’s signed with UnitedMasters, released her single “How Do You Live?,” and prepped a holiday track for release.

And those lanes are plenty. The former Miss United States and Obama White House staffer has carved out a multifaceted career: starring on The Real Housewives of Potomac, releasing two Billboard-charting R&B projects, landing roles on BET and Netflix, and building her brand as an entrepreneur. In just the past year, she’s signed with UnitedMasters, released her single “How Do You Live?,” and prepped a holiday track for release.

But it’s Howard’s emphasis on community that resonates most with her today as a new mom. Her son, Jet, turns one this month. “Parenthood was never meant to be done alone,” she told OffTheYard. “That’s a lesson I learned at Howard, too — it’s always about the village. My classmates, my professors, the community there — they’ve been part of my village from day one.”

But it’s Howard’s emphasis on community that resonates most with her today as a new mom. Her son, Jet, turns one this month. “Parenthood was never meant to be done alone,” she told OffTheYard. “That’s a lesson I learned at Howard, too — it’s always about the village. My classmates, my professors, the community there — they’ve been part of my village from day one.”

It’s why Bassett is always eager to pass wisdom along to current students. “Go confidently in the direction of your dream and live the life you have imagined,” she said. “That’s how I’ve lived my life since stepping foot on the Yard.”

It’s why Bassett is always eager to pass wisdom along to current students. “Go confidently in the direction of your dream and live the life you have imagined,” she said. “That’s how I’ve lived my life since stepping foot on the Yard.”

With a stage debut, new music on the horizon, and even a role in the upcoming season of NBC’s The Traitors, Bassett continues to carry the Howard blueprint wherever she goes.

With a stage debut, new music on the horizon, and even a role in the upcoming season of NBC’s The Traitors, Bassett continues to carry the Howard blueprint wherever she goes.

“Everything I do — whether it’s on stage, on camera, or as a mom — is about showing up fully and unapologetically,” she said. “That’s Howard through and through.”

“Everything I do — whether it’s on stage, on camera, or as a mom — is about showing up fully and unapologetically,” she said. “That’s Howard through and through.”

Jason “J” Carter remembers arriving at Florida A&M University with ambition, ideas, and a deep curiosity about the world. What he didn’t know at the time was how much the Hill would shape his voice, his vision, and eventually, his legacy.

“FAMU taught me how to move confidently in every space,” Carter told OffTheYard. “It gave me a foundation of excellence and reminded me that we, as Black people, can create at the highest level. That confidence has carried me through every boardroom and onto every stage.”

“FAMU taught me how to move confidently in every space,” Carter told OffTheYard. “It gave me a foundation of excellence and reminded me that we, as Black people, can create at the highest level. That confidence has carried me through every boardroom and onto every stage.”

Today, Carter is the founder of ONE Musicfest (OMF), the nation’s largest Black-owned, open-air music festival. The annual Atlanta event, which returns October 25–26, 2025, at Piedmont Park, attracts over 100,000 fans each year and generates more than $61 million in economic impact for the city. Beyond the numbers, it has become a cultural touchstone, uniting generations through music while amplifying Atlanta’s role as a global hub of Black culture.

Today, Carter is the founder of ONE Musicfest (OMF), the nation’s largest Black-owned, open-air music festival. The annual Atlanta event, which returns October 25–26, 2025, at Piedmont Park, attracts over 100,000 fans each year and generates more than $61 million in economic impact for the city. Beyond the numbers, it has become a cultural touchstone, uniting generations through music while amplifying Atlanta’s role as a global hub of Black culture.

This year’s lineup underscores that mission. Future will headline with a rare hometown performance. The Roots will return to OMF after a decade, joined by Mary J. Blige for her festival debut. Ludacris will celebrate the 25th anniversary of his debut album with a star-studded set, and the event will honor the late Rico Wade with a historic Dungeon Family reunion. Rising artists such as Grammy nominee Doechii will perform alongside Jazmine Sullivan, Kehlani, Busta Rhymes, Ari Lennox, Jagged Edge, and gospel legend Marvin Sapp — making for one of OMF’s most cross-generational lineups yet.

This year’s lineup underscores that mission. Future will headline with a rare hometown performance. The Roots will return to OMF after a decade, joined by Mary J. Blige for her festival debut. Ludacris will celebrate the 25th anniversary of his debut album with a star-studded set, and the event will honor the late Rico Wade with a historic Dungeon Family reunion. Rising artists such as Grammy nominee Doechii will perform alongside Jazmine Sullivan, Kehlani, Busta Rhymes, Ari Lennox, Jagged Edge, and gospel legend Marvin Sapp — making for one of OMF’s most cross-generational lineups yet.

“Atlanta is our home, and this year we’re celebrating it in the biggest way possible — with Future, Ludacris, and a historic Dungeon Family Reunion honoring the life and legacy of Rico Wade,” Carter said. “ONE Musicfest has always been about uniting legends, elevating new voices, and creating unforgettable cultural moments.”

“Atlanta is our home, and this year we’re celebrating it in the biggest way possible — with Future, Ludacris, and a historic Dungeon Family Reunion honoring the life and legacy of Rico Wade,” Carter said. “ONE Musicfest has always been about uniting legends, elevating new voices, and creating unforgettable cultural moments.”

Before he became a festival founder and marketing executive trusted by brands from Adidas to Michelle Obama’s When We All Vote initiative, Carter was a student soaking up the HBCU experience at FAMU. He credits the university not just with preparing him academically, but with shaping his entrepreneurial spirit.

Before he became a festival founder and marketing executive trusted by brands from Adidas to Michelle Obama’s When We All Vote initiative, Carter was a student soaking up the HBCU experience at FAMU. He credits the university not just with preparing him academically, but with shaping his entrepreneurial spirit.

“FAMU gave me more than an education; it gave me a network, a community, and a mindset,” said Carter. “When you come from an environment where you see excellence all around you, it becomes second nature to demand that from yourself. That’s the Rattler hustle.”

“FAMU gave me more than an education; it gave me a network, a community, and a mindset,” said Carter. “When you come from an environment where you see excellence all around you, it becomes second nature to demand that from yourself. That’s the Rattler hustle.”

For him, the bond among alumni is proof of how deeply the school imprints on its students. “People always say FAMU is like a cult — and in some ways, it is,” he laughed. “Once you’re in, you’re in for life. There’s a connection, a pride, an energy that never leaves you. That same energy is what I try to recreate at ONE Musicfest: thousands of people coming together, moving as one, and celebrating culture in a way only we can.”

For him, the bond among alumni is proof of how deeply the school imprints on its students. “People always say FAMU is like a cult — and in some ways, it is,” he laughed. “Once you’re in, you’re in for life. There’s a connection, a pride, an energy that never leaves you. That same energy is what I try to recreate at ONE Musicfest: thousands of people coming together, moving as one, and celebrating culture in a way only we can.”

Beyond OMF, Carter has spent more than 20 years in lifestyle marketing and business startups. Through his companies — One Venture Group and SoL Fusion Media Group — he has built campaigns for global brands like Toyota, BMW, Heineken, Bacardi, and Jack Daniel’s. His ability to translate culture into commerce has earned him the City of Atlanta’s Phoenix Award and recognition as Coors Light’s Brand Marketer of the Year.

Beyond OMF, Carter has spent more than 20 years in lifestyle marketing and business startups. Through his companies — One Venture Group and SoL Fusion Media Group — he has built campaigns for global brands like Toyota, BMW, Heineken, Bacardi, and Jack Daniel’s. His ability to translate culture into commerce has earned him the City of Atlanta’s Phoenix Award and recognition as Coors Light’s Brand Marketer of the Year.

But while the accolades matter, Carter says the real measure of success is impact, particularly for Black-owned businesses. More than half of the vendors and partners supported by OMF each year are Black-owned — something Carter describes as intentional. “At FAMU, we were taught that success is not just about what you achieve for yourself,” he said. “It’s also about what you build for your community. That’s always been my compass.”

But while the accolades matter, Carter says the real measure of success is impact, particularly for Black-owned businesses. More than half of the vendors and partners supported by OMF each year are Black-owned — something Carter describes as intentional. “At FAMU, we were taught that success is not just about what you achieve for yourself,” he said. “It’s also about what you build for your community. That’s always been my compass.”

Carter remains deeply connected to his alma mater and the broader HBCU community. His career is a reminder of how the lessons learned at historically Black colleges resonate far beyond the classroom.

Carter remains deeply connected to his alma mater and the broader HBCU community. His career is a reminder of how the lessons learned at historically Black colleges resonate far beyond the classroom.

“Everything I do goes back to what I learned at FAMU,” he said. “The confidence, the creativity, the fearlessness — that’s the HBCU spirit. ONE Musicfest is proof that when you nurture those values, you can build something that not only entertains but also empowers.”

“Everything I do goes back to what I learned at FAMU,” he said. “The confidence, the creativity, the fearlessness — that’s the HBCU spirit. ONE Musicfest is proof that when you nurture those values, you can build something that not only entertains but also empowers.”

As OMF heads into its 16th year, Carter is expanding his vision into digital media and content creation, with plans to continue telling authentic stories for the upscale urban market. But at the heart of it all, he still sees himself as a Rattler first.

As OMF heads into its 16th year, Carter is expanding his vision into digital media and content creation, with plans to continue telling authentic stories for the upscale urban market. But at the heart of it all, he still sees himself as a Rattler first.

“FAMU showed me that nothing is impossible,” Carter said. “Every time the lights go up at ONE Musicfest, I see that same energy reflected back — the belief that our culture, our music, our stories belong on the biggest stages in the world.” Get your tickets for One MusicFest here.

“FAMU showed me that nothing is impossible,” Carter said. “Every time the lights go up at ONE Musicfest, I see that same energy reflected back — the belief that our culture, our music, our stories belong on the biggest stages in the world.” Get your tickets for One MusicFest here.

Since the mid-19th century, HBCUs have been the pillars of Black excellence. From leaders in politics, science, entertainment, and everything in between, there’s no doubt that HBCUs deserve recognition for their contributions to society. In 1980, President Jimmy Carter understood just that and created National HBCU Week.

Usually held in either the second or third week of September, HBCU Week is a federally designated observance that highlights the relevance of HBCUs. The week pays tribute to their legacy of higher education and its promotion of equal opportunity. Following the launch of the program, every single president since then has signed an executive order altering and extending the previous one while maintaining the basic principles. To celebrate, the annual National HBCU Week Conference is held and is the largest gathering of key influencers in the HBCU space. While programming for this year has yet to be announced, the HBCU community remains hopeful that yearly tradition will still remain strong.

Usually held in either the second or third week of September, HBCU Week is a federally designated observance that highlights the relevance of HBCUs. The week pays tribute to their legacy of higher education and its promotion of equal opportunity. Following the launch of the program, every single president since then has signed an executive order altering and extending the previous one while maintaining the basic principles. To celebrate, the annual National HBCU Week Conference is held and is the largest gathering of key influencers in the HBCU space. While programming for this year has yet to be announced, the HBCU community remains hopeful that yearly tradition will still remain strong.

The HBCU Week Conference is planned under the leadership of the White House Initiative on HBCUs—a sector of the U.S. Department of Education. With a different theme each year, the conference acknowledges the impact our institutions have on the world and recognizes select scholars and alumni from our communities. Last year, the theme was “Raising the Bar: Where Excellence and Opportunity Meet.” Throughout the week, attendees were able to listen and participate in discussions around the future of AI in our schools, safeguarding our schools, and how much the Initiative believes in and pours into HBCUs.

The HBCU Week Conference is planned under the leadership of the White House Initiative on HBCUs—a sector of the U.S. Department of Education. With a different theme each year, the conference acknowledges the impact our institutions have on the world and recognizes select scholars and alumni from our communities. Last year, the theme was “Raising the Bar: Where Excellence and Opportunity Meet.” Throughout the week, attendees were able to listen and participate in discussions around the future of AI in our schools, safeguarding our schools, and how much the Initiative believes in and pours into HBCUs.

Aside from the discussions, the Initiative also holds an HBCU career fair for students, alumni, and job seekers alike. From internship, to fellowship, to full-time job opportunities, attendees have the opportunity to meet and foster relationships with companies that are looking to diversify their talent. For those that are interested in meeting federal partner agencies of the Initiative, a Federal Agency Meet & Greet is held with 30+ federal agencies to learn about the current program offerings, resources, opportunities, and initiatives underway to advance educational equity, excellence, and economic opportunity in partnership with HBCUs.

Aside from the discussions, the Initiative also holds an HBCU career fair for students, alumni, and job seekers alike. From internship, to fellowship, to full-time job opportunities, attendees have the opportunity to meet and foster relationships with companies that are looking to diversify their talent. For those that are interested in meeting federal partner agencies of the Initiative, a Federal Agency Meet & Greet is held with 30+ federal agencies to learn about the current program offerings, resources, opportunities, and initiatives underway to advance educational equity, excellence, and economic opportunity in partnership with HBCUs.

HBCU Week is more than just a celebration. It’s about spotlighting the national commitment to educational equity. Sometimes, federal backing and monetary donations aren’t enough. Building a direct pipeline of opportunity for students to take advantage of is just as important.

HBCU Week is more than just a celebration. It’s about spotlighting the national commitment to educational equity. Sometimes, federal backing and monetary donations aren’t enough. Building a direct pipeline of opportunity for students to take advantage of is just as important.

As mentioned earlier, this year’s conference has yet to be announced. However, there is still other programming happening to commemorate HBCU Week. Maryland Public Television is presenting a lineup during the week of September 8–14 that features documentaries, interviews, and specials that highlight HBCU history, leadership, and innovation. Recently, it also expanded its themes to include the contributions made to entertainment! Overall, HBCU Week blends celebration, policy, and systematic partnership to uplift our institutions. This designated week ensures that our HBCUs remain connected and stable to shape our future leaders.

As mentioned earlier, this year’s conference has yet to be announced. However, there is still other programming happening to commemorate HBCU Week. Maryland Public Television is presenting a lineup during the week of September 8–14 that features documentaries, interviews, and specials that highlight HBCU history, leadership, and innovation. Recently, it also expanded its themes to include the contributions made to entertainment! Overall, HBCU Week blends celebration, policy, and systematic partnership to uplift our institutions. This designated week ensures that our HBCUs remain connected and stable to shape our future leaders.

As the Vice President of Operations and Production for the PEPSI® National Battle of the Bands (NBOTB), Reggie Scott spends his days fine-tuning the details of one of the most exuberant showcases of Black musical excellence in the country. But for Scott, an alumnus of Howard University, the work is more than just logistics and sound checks, it’s legacy in motion.

In honor of Black Music Month, NBOTB began re-airing Celebrating Champions of Culture on May 31. The documentary captures the electrifying energy of the 10th anniversary of the NBOTB celebration in Houston while telling the deeper story of how HBCU bands serve as vessels of artistry, leadership, and Black musical innovation.

In honor of Black Music Month, NBOTB began re-airing Celebrating Champions of Culture on May 31. The documentary captures the electrifying energy of the 10th anniversary of the NBOTB celebration in Houston while telling the deeper story of how HBCU bands serve as vessels of artistry, leadership, and Black musical innovation.

“Ten years of anything rooted in legacy and culture is a milestone,” Scott told OffTheYard.Net. “We’ve had students who performed at NBOTB come back as band directors. That’s full circle. That’s what this work is all about.”

“Ten years of anything rooted in legacy and culture is a milestone,” Scott told OffTheYard.Net. “We’ve had students who performed at NBOTB come back as band directors. That’s full circle. That’s what this work is all about.”

Scott’s personal journey began at Rochester Institute of Technology (RIT) before transferring to Howard University in the early ’80s, a move that would deeply shape his worldview.

Scott’s personal journey began at Rochester Institute of Technology (RIT) before transferring to Howard University in the early ’80s, a move that would deeply shape his worldview.

“I wanted to be around more people who looked like me,” said Scott. “When I got to Howard, it was the first time I saw Black people from places like Utah and Colorado. That exposure changed me, it gave me perspective, creativity, and a network I still lean on today.”

“I wanted to be around more people who looked like me,” said Scott. “When I got to Howard, it was the first time I saw Black people from places like Utah and Colorado. That exposure changed me, it gave me perspective, creativity, and a network I still lean on today.”

Although Scott wasn’t in the band at Howard, his early days in a Brooklyn drum corps planted a seed. Over the years, that connection to rhythm evolved into a passion for producing large-scale cultural events. After more than a decade producing the Honda Battle of the Bands, Scott brought his expertise to NBOTB, where he now helps lead one of the largest HBCU band showcases in the nation.

Although Scott wasn’t in the band at Howard, his early days in a Brooklyn drum corps planted a seed. Over the years, that connection to rhythm evolved into a passion for producing large-scale cultural events. After more than a decade producing the Honda Battle of the Bands, Scott brought his expertise to NBOTB, where he now helps lead one of the largest HBCU band showcases in the nation.

As executive producer of Celebrating Champions of Culture, Scott shaped the vision for the film before entrusting a younger protégé to take the reins on writing and directing, an intentional act of mentorship rooted in his belief in passing the torch.

As executive producer of Celebrating Champions of Culture, Scott shaped the vision for the film before entrusting a younger protégé to take the reins on writing and directing, an intentional act of mentorship rooted in his belief in passing the torch.

“I’ve mentored this young filmmaker since he graduated,” Scott said. “For the fifth installment of the doc, I wanted him to bring his voice to the story while honoring what we’ve built. He did a tremendous job.”

“I’ve mentored this young filmmaker since he graduated,” Scott said. “For the fifth installment of the doc, I wanted him to bring his voice to the story while honoring what we’ve built. He did a tremendous job.”

The documentary highlights personal stories from student performers and band directors alike, many of whom are rarely recognized on a national level despite their outsized influence. It also celebrates Black educators and icons through NBOTB’s Hall of Fame segment, which Scott helped introduce to give people their flowers.

The documentary highlights personal stories from student performers and band directors alike, many of whom are rarely recognized on a national level despite their outsized influence. It also celebrates Black educators and icons through NBOTB’s Hall of Fame segment, which Scott helped introduce to give people their flowers.

“We made a very special point to acknowledge and honor people who are still present with us, who don’t get the recognition they deserve for uplifting or educating our young people,” he told OffTheYard.

“We made a very special point to acknowledge and honor people who are still present with us, who don’t get the recognition they deserve for uplifting or educating our young people,” he told OffTheYard.

Similarly, outside of the documentary, Scott leads a team united in their commitment to treating HBCU bands with the first-class care and reverence they deserve.

Similarly, outside of the documentary, Scott leads a team united in their commitment to treating HBCU bands with the first-class care and reverence they deserve.

“Every band that comes into market with us has their own space, three meals a day, hotel accommodations, and the opportunity to shine in front of 65,000 people,” said Scott. “Our mission has never changed: to uplift students and get scholarships into their hands.”

“Every band that comes into market with us has their own space, three meals a day, hotel accommodations, and the opportunity to shine in front of 65,000 people,” said Scott. “Our mission has never changed: to uplift students and get scholarships into their hands.”

That same commitment to excellence and respect extends beyond the field and into the storytelling behind the scenes, helping shift perceptions about HBCU bands, which for years were overlooked or stereotyped as entertainment-only.

That same commitment to excellence and respect extends beyond the field and into the storytelling behind the scenes, helping shift perceptions about HBCU bands, which for years were overlooked or stereotyped as entertainment-only.

“I think the word is exposure,” Scott said. “There was a time when Black bands were dismissed as just ‘booty shakers,’ people didn’t see the musicianship, the discipline, the artistry. But now, more and more bands are adopting the HBCU style because they realize how dynamic and impactful it is. It’s not just music, it’s dancers, it’s pageantry, it’s storytelling.”

“I think the word is exposure,” Scott said. “There was a time when Black bands were dismissed as just ‘booty shakers,’ people didn’t see the musicianship, the discipline, the artistry. But now, more and more bands are adopting the HBCU style because they realize how dynamic and impactful it is. It’s not just music, it’s dancers, it’s pageantry, it’s storytelling.”

Cultural moments, from Southern University performing at the Super Bowl to Texas Southern appearing with Kendrick Lamar, and Beyoncé’s Homecoming, have helped shine a national spotlight on the power and precision of HBCU bands.

Cultural moments, from Southern University performing at the Super Bowl to Texas Southern appearing with Kendrick Lamar, and Beyoncé’s Homecoming, have helped shine a national spotlight on the power and precision of HBCU bands.

“This documentary contributes to that momentum by putting these bands on a national stage,” Scott told OffTheYard. “People are seeing them in a new light, as innovators, not imitators. And now, these stories are sparking generational conversations, grandparents and students watching together, connecting through pride and shared legacy.”

“This documentary contributes to that momentum by putting these bands on a national stage,” Scott told OffTheYard. “People are seeing them in a new light, as innovators, not imitators. And now, these stories are sparking generational conversations, grandparents and students watching together, connecting through pride and shared legacy.”

Scott and his team are now gearing up for the 2025 National Battle of the Bands, returning August 23 to NRG Stadium in Houston. This year’s lineup includes eight diverse programs from across the HBCU landscape.

Scott and his team are now gearing up for the 2025 National Battle of the Bands, returning August 23 to NRG Stadium in Houston. This year’s lineup includes eight diverse programs from across the HBCU landscape.

“We don’t just bring the biggest bands,” Scott noted. “We mix it up intentionally. Smaller and mid-sized bands get their shine too. Because this platform is about opportunity, experience, and equity.”

“We don’t just bring the biggest bands,” Scott noted. “We mix it up intentionally. Smaller and mid-sized bands get their shine too. Because this platform is about opportunity, experience, and equity.”

Whether it’s overseeing thousands of student performers or amplifying their stories on screen, Scott sees his work as a labor of love and a call to action.

Whether it’s overseeing thousands of student performers or amplifying their stories on screen, Scott sees his work as a labor of love and a call to action.

“It’s about telling our story and preserving our history,” he said. “When someone watches this documentary and says, ‘I didn’t know that,’ or ‘That’s my alma mater,’ we’ve done our job. Because now, that story lives on.”

“It’s about telling our story and preserving our history,” he said. “When someone watches this documentary and says, ‘I didn’t know that,’ or ‘That’s my alma mater,’ we’ve done our job. Because now, that story lives on.”

Celebrating Champions of Culture re-airs nationwide beginning May 31. For more information on the 2025 PEPSI® National Battle of the Bands, visit www.nationalbattleofthebands.com.

Celebrating Champions of Culture re-airs nationwide beginning May 31. For more information on the 2025 PEPSI® National Battle of the Bands, visit www.nationalbattleofthebands.com.

As the Fall semester quickly approaches, planning your outfits and hairstyles are more than likely at the top of your list. At an HBCU, protective styles are essential to students looking to protect their hair and their time. Being able to express yourself through hair is something that we often take for granted, and it wasn’t until recently that the styles we are essentially known for as a culture, have started to become socially accepted into society. This was due to the Crown Act; a legislation passed in 2019 that prohibits discrimination based on hair style and texture. Although it was initially passed in California, there are now 25 states in total that have passed the act. With this law in place, more students are feeling less judged and more empowered to rock their natural hair and other styles. 

Boohoo Knotless Braids 

Boohoo Knotless Braids 

Boohoo Knotless Braids are a go-to style for many students, especially those moving in on campus. They are perfect to wear if you are constantly active or find yourself outside all week enjoying Welcome Back Week festivities. These braids can be styled in many ways, require little maintenance, and the curls add a cute touch. What makes these protective is that the braids are started without a knot in the scalp, which reduces tension and tugging at the scalp and ultimately prevents breakage and shedding.

Boohoo Knotless Braids are a go-to style for many students, especially those moving in on campus. They are perfect to wear if you are constantly active or find yourself outside all week enjoying Welcome Back Week festivities. These braids can be styled in many ways, require little maintenance, and the curls add a cute touch. What makes these protective is that the braids are started without a knot in the scalp, which reduces tension and tugging at the scalp and ultimately prevents breakage and shedding.

Bantu Knots

Bantu Knots

Bantu Knots are a staple in Black culture. This style helps you maintain your natural curl pattern, all while minimizing breakage. Some people like to get creative with the parts and do designs. You’ll mainly see this style during Homecoming Season, especially at the Fashion Show. Some may ask, how do you even sleep with them in? When doing this style, try to position the knots closer to the top of your head and the nape of your neck. That way you are free to sleep on your side. While it may not last long like the other styles, the results after taking them out gives you a newfound appreciation for the curl pattern you were blessed with. 

Bantu Knots are a staple in Black culture. This style helps you maintain your natural curl pattern, all while minimizing breakage. Some people like to get creative with the parts and do designs. You’ll mainly see this style during Homecoming Season, especially at the Fashion Show. Some may ask, how do you even sleep with them in? When doing this style, try to position the knots closer to the top of your head and the nape of your neck. That way you are free to sleep on your side. While it may not last long like the other styles, the results after taking them out gives you a newfound appreciation for the curl pattern you were blessed with. 

Faux Locs 

Faux Locs 

Faux Locs is another style you will likely see during the first week. Just like the knotless braids, these require no maintenance and are perfect for the warm weather you’ll experience during the first semester. Your real hair is individually braided with a “loc” wrapped around each braid. Faux Locs also tend to look more natural the older they get, and some even add curls to it like the braids. Just be sure to not have them in TOO long because they will start to become heavy, which could lead to breakage. What’s great about these is that it gives you the look of having locs without making the commitment. You can give island gyal vibes for at least two months, just in time for you to start planning your Homecoming hairstyle. 

Faux Locs is another style you will likely see during the first week. Just like the knotless braids, these require no maintenance and are perfect for the warm weather you’ll experience during the first semester. Your real hair is individually braided with a “loc” wrapped around each braid. Faux Locs also tend to look more natural the older they get, and some even add curls to it like the braids. Just be sure to not have them in TOO long because they will start to become heavy, which could lead to breakage. What’s great about these is that it gives you the look of having locs without making the commitment. You can give island gyal vibes for at least two months, just in time for you to start planning your Homecoming hairstyle. 

Curly Flip Over 

Curly Flip Over 

This style is for the girls who want to show off their natural curls, but only want to worry about the hair in the frontal region. While the majority of your head will have curly extensions sewn in or glued down, the front is left out for a more natural look. You also have the freedom to part your hair on whatever side you choose. The other great thing about this style is the lack of heat and maintenance that’s required. Most people use flexi rods to curl the front or throw a headband on for a sportier look. I recommend this style for that spring break trip to Miami, or during Spring Fest. The curls give off a summertime vibe, and it makes almost every look a little more girlier. 

This style is for the girls who want to show off their natural curls, but only want to worry about the hair in the frontal region. While the majority of your head will have curly extensions sewn in or glued down, the front is left out for a more natural look. You also have the freedom to part your hair on whatever side you choose. The other great thing about this style is the lack of heat and maintenance that’s required. Most people use flexi rods to curl the front or throw a headband on for a sportier look. I recommend this style for that spring break trip to Miami, or during Spring Fest. The curls give off a summertime vibe, and it makes almost every look a little more girlier. 

Whether you’re rocking braids, a ponytail, or even a silk press, just know: Heavy is the head that wears the crown, and we should never let our crowns fall for anyone or anything. 

Whether you’re rocking braids, a ponytail, or even a silk press, just know: Heavy is the head that wears the crown, and we should never let our crowns fall for anyone or anything. 

For over a decade, HBCU SpringComing has served as a vibrant homage to the rich culture and legacy of historically Black colleges and universities, and its founders are celebrating its legacy.

What began as a grassroots effort to foster connection among HBCU alumni has grown into a national celebration complete with community-building, scholarship fundraising, and joy that spans generations.

What began as a grassroots effort to foster connection among HBCU alumni has grown into a national celebration complete with community-building, scholarship fundraising, and joy that spans generations.

At its heart, HBCU SpringComing is more than a party. It’s a spiritual and cultural reunion rooted in shared experiences, legacy, and the deep desire to pour back into the next generation of Black scholars.

At its heart, HBCU SpringComing is more than a party. It’s a spiritual and cultural reunion rooted in shared experiences, legacy, and the deep desire to pour back into the next generation of Black scholars.

“We realized, especially in New York City, you have all these options—CUNYs, SUNYs—that are often more affordable than attending an HBCU,” said HBCU SpringComing co-founder Lauren Grove, a FAMU grad, to OffTheYard. “So, if a student chooses an HBCU, we want to make that dream possible, and any little bit helps.”

“We realized, especially in New York City, you have all these options—CUNYs, SUNYs—that are often more affordable than attending an HBCU,” said HBCU SpringComing co-founder Lauren Grove, a FAMU grad, to OffTheYard. “So, if a student chooses an HBCU, we want to make that dream possible, and any little bit helps.”

To date, HBCU SpringComing has raised over $500,000 in scholarships for incoming HBCU students. And while the number is impressive, Lauren emphasizes the greater purpose of OffTheYard.

To date, HBCU SpringComing has raised over $500,000 in scholarships for incoming HBCU students. And while the number is impressive, Lauren emphasizes the greater purpose of OffTheYard.

“If nothing else happens, we give out scholarships.” Even in tough fundraising years, the founders have reached into their own pockets to make sure students had the resources to take that leap toward Black excellence.

“If nothing else happens, we give out scholarships.” Even in tough fundraising years, the founders have reached into their own pockets to make sure students had the resources to take that leap toward Black excellence.

Fellow co-founder George A. Peters III, a Morehouse alum, sees HBCU SpringComing as a continuation of the HBCU legacy—a chance for alumni to recreate that magic in cities far from their alma maters. “New York City doesn’t have an HBCU campus,” he said to OffTheYard. “So, we had to create one—and now they’re on the yard with the babies in their ‘Tuskegee Tykes’ and ‘My First Hampton Tee’ shirts, seeing their parents light up with pride. It’s beautiful.”

Fellow co-founder George A. Peters III, a Morehouse alum, sees HBCU SpringComing as a continuation of the HBCU legacy—a chance for alumni to recreate that magic in cities far from their alma maters. “New York City doesn’t have an HBCU campus,” he said to OffTheYard. “So, we had to create one—and now they’re on the yard with the babies in their ‘Tuskegee Tykes’ and ‘My First Hampton Tee’ shirts, seeing their parents light up with pride. It’s beautiful.”

That intergenerational magic is no accident. Over the years, HBCU SpringComing has become a space where Black families return year after year, their children growing up surrounded by Black excellence and tradition. “We’ve got HBCU SpringComing babies now,” Lauren laughed to OffTheYard. “Folks saying, ‘My kid has been coming to HBCU SpringComing since they were born.’ Seeing those kids grow up and understand what HBCUs are, even though they live in a city without one, it’s everything.”

That intergenerational magic is no accident. Over the years, HBCU SpringComing has become a space where Black families return year after year, their children growing up surrounded by Black excellence and tradition. “We’ve got HBCU SpringComing babies now,” Lauren laughed to OffTheYard. “Folks saying, ‘My kid has been coming to HBCU SpringComing since they were born.’ Seeing those kids grow up and understand what HBCUs are, even though they live in a city without one, it’s everything.”

Lauren and George both have children now—three between them—who rock “Mini Co-Founder” sweatshirts as a nod to how embedded HBCU SpringComing has become in their lives. “We started this with no kids,” Lauren reflected. 

Lauren and George both have children now—three between them—who rock “Mini Co-Founder” sweatshirts as a nod to how embedded HBCU SpringComing has become in their lives. “We started this with no kids,” Lauren reflected. 

“Now we’re watching our sons and daughters get big, and the community celebrates that right along with us.”

“Now we’re watching our sons and daughters get big, and the community celebrates that right along with us.”

And the love doesn’t stop with the kids. HBCU SpringComing has become a mecca for alumni reconnecting, reigniting old friendships, and even joining local alumni chapters. One year, Lauren remembers finally launching the much-requested alumni and Greek tents on the event website. 

And the love doesn’t stop with the kids. HBCU SpringComing has become a mecca for alumni reconnecting, reigniting old friendships, and even joining local alumni chapters. One year, Lauren remembers finally launching the much-requested alumni and Greek tents on the event website. 

“People started using them like a membership fair,” she said to OffTheYard. “Like, ‘Let me find the NYC Hampton crew, because they’ve got a full setup over there!’”

“People started using them like a membership fair,” she said to OffTheYard. “Like, ‘Let me find the NYC Hampton crew, because they’ve got a full setup over there!’”

George recalled one unforgettable moment: the time Spike Lee—yes, the legendary filmmaker—showed up at HBCU SpringComing’s School Daze event. 

George recalled one unforgettable moment: the time Spike Lee—yes, the legendary filmmaker—showed up at HBCU SpringComing’s School Daze event. 

“The word had spread about these scholarships,” he said. “It was supposed to rain that day, but God loves HBCUs, so it didn’t. Spike just showed up—uninvited—to show love. That was surreal. It meant everything.”

“The word had spread about these scholarships,” he said. “It was supposed to rain that day, but God loves HBCUs, so it didn’t. Spike just showed up—uninvited—to show love. That was surreal. It meant everything.”

That visit was especially meaningful considering Lee’s iconic 1988 film School Daze is a cornerstone of HBCU culture. 

That visit was especially meaningful considering Lee’s iconic 1988 film School Daze is a cornerstone of HBCU culture. 

“He came to witness the very thing he depicted onscreen decades ago, happening in real life—led by us,” said George to OffTheYard. “It was perfect. The sun came out, and everyone felt like they were at a family reunion.”

“He came to witness the very thing he depicted onscreen decades ago, happening in real life—led by us,” said George to OffTheYard. “It was perfect. The sun came out, and everyone felt like they were at a family reunion.”

The family reunion vibe is intentional. As George puts it, “We’re not a monolith, even if we come from schools that look homogeneous from the outside.” 

The family reunion vibe is intentional. As George puts it, “We’re not a monolith, even if we come from schools that look homogeneous from the outside.” 

He recalls his time at Morehouse as transformational. “You realize everyone around you is exceptional, iron sharpening iron, but in their own unique ways. HBCU SpringComing is about rediscovering that magic, post-grad.”

He recalls his time at Morehouse as transformational. “You realize everyone around you is exceptional, iron sharpening iron, but in their own unique ways. HBCU SpringComing is about rediscovering that magic, post-grad.”

Lauren echoes the sentiment, reflecting on her own journey at FAMU. 

Lauren echoes the sentiment, reflecting on her own journey at FAMU. 

“From the moment I stepped foot on campus in the 10th grade, I knew I wanted to be a Rattler,” she said to OffTheYard. “Graduating, pledging Delta Sigma Theta, and meeting my best friends the first week, those are all part of the little moments I treasure.”

“From the moment I stepped foot on campus in the 10th grade, I knew I wanted to be a Rattler,” she said to OffTheYard. “Graduating, pledging Delta Sigma Theta, and meeting my best friends the first week, those are all part of the little moments I treasure.”

Those “little moments” are what HBCU SpringComing is made of. From the scholarship giveaways to the line dances, from kids running around in HBCU onesies to seasoned alumni catching up over plates of food, it’s a joyful reminder that HBCU culture lives far beyond the classroom.

Those “little moments” are what HBCU SpringComing is made of. From the scholarship giveaways to the line dances, from kids running around in HBCU onesies to seasoned alumni catching up over plates of food, it’s a joyful reminder that HBCU culture lives far beyond the classroom.

And after ten years of building a thriving, mobile campus in places like New York, LA, and now Birmingham, the HBCU SpringComing team isn’t slowing down. They’re expanding, dreaming bigger, and always staying rooted in the core belief that the legacy of Black education and excellence deserves to be celebrated and sustained.

And after ten years of building a thriving, mobile campus in places like New York, LA, and now Birmingham, the HBCU SpringComing team isn’t slowing down. They’re expanding, dreaming bigger, and always staying rooted in the core belief that the legacy of Black education and excellence deserves to be celebrated and sustained.

As George puts it: “HBCU SpringComing is probably the best place to find socially influential, college-educated Black folks in New York City.” And that’s by design.

As George puts it: “HBCU SpringComing is probably the best place to find socially influential, college-educated Black folks in New York City.” And that’s by design.

Because when we show up for each other, whether it’s in classrooms, on campuses, or at pop-up yards in the city, we keep the tradition alive.

Because when we show up for each other, whether it’s in classrooms, on campuses, or at pop-up yards in the city, we keep the tradition alive.

And we build a legacy that future generations will be proud to inherit.

And we build a legacy that future generations will be proud to inherit.